Beamish BodyMind Balancing® Certification Program

“If you respect the laws of movement, and treat your body gently and with intelligence, then, through dance, you will get back what you put in.”

– Philip Beamish


Beamish Bodymind Balancing and Classical Ballet

“The ultimate goal is effortless movement and control.”

Uniquely developed and designed by Mr. Beamish for dancers and non-dancers alike, as an aid to dance technique and from dance and sport injuries. A gentle movement which reshapes and revitalises the whole body through series using body weight and isometric pressure to obtain maximum elasticity, line and strength.

For the Dance Instructor, Advanced Dancer, Pilates Instructor and Dance Medicine/Science Professional.
The Beamish BodyMind Balancing® technique was created by Philip Beamish to train all levels of dancers.

NEW! – July 1-12, 2024 Beamish BodyMind Balancing® Basic Training (in-person, no class July 4)

Daily classes in the Beamish Bodymind Balancing Technique (classical ballet class)

July 1st – 5th  1:30pm-4:00pm
July 8th – 12th  9:30am-12:15pm
Q and A with Teachers July 5th and July 9th at 12:30pm

  • Workshop fee: $1100 USD –
  • Payments must be paid in full upon registration. Send payments in US funds payable to Northwest Dance Intensive or NDI.
  • Paypal, credit card via PayPal, personal checks, and money orders are accepted. For PayPal please email the sender’s name and registrant’s name (if different) and a copy of your receipt to:
  • To pay by phone please call 360-489-8729.
  • For registration please email your name, address, and phone number; include how many years of dance training and teaching, and where you teach currently. Send to:
  • Any questions please call (360) 489-8729


It is the product of many years of investigation into the relationship between the mind, the body, and energy flow. It incorporates various aspects of acupressure, Do In (a Chinese massage and exercise technique), yoga, meditation, kinesiology, and osteopathy, in order to align the body and focus the mind to obtain maximum results while eliminating unnecessary tensions. This can then be applied to any type of physical activity, although it is primarily orientated to classical ballet technique.

Beamish BodyMind Balancing® is based on the premise that what we give, we always get back. Many dancers put a in a huge amount of effort and get minimal results. The techniques Philip developed allow “maximum return on investment” – hard work is rewarded with great improvement.

The exercises enable dancers to reshape their bodies and calm and focus their minds, with spectacular results on and off stage. The technique is a tool to maintain a healthy, youthful body, a focused mind, a balanced emotional state, and avoid chronic injuries. It also promotes self-esteem, and prolongs the ability not only to dance longer, but to live a richer and more satisfying life.

Some of the unique aspects of the BBB include the physical-mental concept of the connection of the energy centers, and the origin of the movement. It trains the body to initiate the movement from within, radiating outward and returning in a circular pattern, together with creating awareness of the balancing and alignment of the skeletal system.

An adjunct to these concepts is the use of visualization: for example, where the movement is initiated and directed, and the “feeling” of seeing oneself from behind. The use of the scapulae, sacrum, sitzbones, and backs of the legs, knees and heels is fundamental for correct rotation (turnout) which together with the anchoring of the weight into the ground, creates the effect of “pull-up”, an often very misunderstood concept. The law of duality: “To go up, you push down…” “To go to the right, you resist to the left…” All this originates in the floor exercises. The constant connections, and isometric pressure horizontally in opposing directions into the floor, now converts into a vertical vocabulary. Connecting through the body and into the floor, eliminating unnecessary tension, creates “flow” – necessary for controlled turnout, and easy, strong movement and line, both on the ground and in the air.

None of this is possible without emphasis on breathing and relaxation. As in any highly trained activity, such as singing, tennis, or the martial arts, a good technique is a relaxed technique. Dance is no exception. In order to allow the energy flow through the body, feel one’s muscles, and reach the sufficient speed sometimes required, the dancer must be a relaxed vehicle. This is a facilitator to the most crucial facet of dance, the music, to actually hear, and absorb, the music and its often complex rhythms into the muscles and brain, something often “shut out” through “tension training.”

The BBB trains the dancer in a wholistic fashion. Through the connection of the bones, music, and constant isometric pressure, the dancer learns to target and use only essential muscles and work at the maximum in the most efficient manner possible, resulting in apparently effortless technique, strength and flexibility. The opposite to the old “no pain, no gain” theory.